Nikon D3 and D700 can switch between DX (24×16mm) and FX (36×24mm) modes to accommodate different lens formats. If “Auto DX Crop” is enabled, the camera will automatically adjust the picture angle (field of view) to DX format when a DX lens is attached, and to FX format if a 35mm format lens is attached.

Obviously, the DX format can use only the pixels in the center of the FX frame on the FX DSLRs. For Nikon D3 and D700, it is 5MP. This is indeed a lot fewer pixels compared to a DX format DSLR such as Nikon D300, but you enjoy the superior picture quality throughout a wider ISO sensitivity range attributed to larger pixel size that yields a higher signal-to-noise ratio and wider dynamic range. Therefore users can actually take advantage of the DX mode when you only need or have the center area of the frame even with a FX format lens. Example of such situation is when your subject is too far away to fill the FX frame. Not only you have smaller file size to handle, but also you don’t need to crop every photo to remove unnecessary pixels. Read More…

Posted in Digital SLR Cameras, Tips and techniques on August 3rd, 2008. No Comments.

This is definitely not the typical hands-on preview/review you’d expect for a high tech photography machine. The review actually shows you some glamour photos with real hands holding the latest Nikon FX format (full frame) digital SLR camera to compliment its verbiage.

I guess the editors are trying to attract some viewers with this creative review format in the crowded photography review market, but for credibility’s sake, they should at least spend some time coaching the pretty model so she knows where the shutter release button is. Pull your attention back a little from other parts of the photos, you will notice the awkwardly placed finger in a couple of places.

To be fair, the DigitalRev review isn’t bad at all. Without all the technical details overloading your brain, you may actually find it concise and refreshing.

Posted in Digital SLR Cameras on July 27th, 2008. No Comments.
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